{"id":102,"date":"2017-07-22T19:55:32","date_gmt":"2017-07-22T19:55:32","guid":{"rendered":"http:\/\/theboisebeat.com\/?p=102"},"modified":"2017-07-26T14:27:29","modified_gmt":"2017-07-26T20:27:29","slug":"movies-till-dawn-un-uomo-una-cavallo-una-pistola-italian-westerns-and-american-contorno","status":"publish","type":"post","link":"https:\/\/theboisebeat.com\/index.php\/2017\/07\/22\/movies-till-dawn-un-uomo-una-cavallo-una-pistola-italian-westerns-and-american-contorno\/","title":{"rendered":"Movies Till Dawn: Un Uomo, Una Cavallo, Una Pistola \u2013 Italian Westerns and American Contorno"},"content":{"rendered":"

\"\"\u201cDjang0 Prepare a Coffin<\/a>\u201d (1968, Arrow Video) Though relatively unknown in the United States until its release on DVD, Sergio Corbucci\u2019<\/a>s doom-laden Euro Western \u201cDjango<\/a>\u201d (1966) was a global hit during its release, spawning tributes on film (it\u2019s the movie Jimmy Cliff is watching<\/a> in \u201cThe Harder They Come\u201d) and in music (Lee Perry\u2019s \u201cReturn of Django<\/a>\u201d and dozens more reggae tracks from Trojan Records). In typical Italian genre fashion, it also spawned dozens of imitations on screen, some featuring characters based on character played by Franco Nero<\/a>, some renamed to cash in on the success. Ferdinando (\u201cGet Mean<\/a>\u201c) Baldi\u2019s \u201cDjango Prepare a Coffin\u201d is only one of two with any connection to the Nero\/Corbucci film, though here, it\u2019s Terence Hill <\/a>\u2013 a dead ringer for Nero who went on to stardom in cinematographer Enzo Barboni<\/a>\u2018s lighter-hearted \u201cTrinity<\/a>\u201d series \u2013 as Django, who recruits a team of condemned men to avenge the murder of his wife by a political boss (Horst Frank<\/a>) and his thugs. Co-written by Baldi and Franco Rossetti \u2013 who penned the Corbucci \u201cDjango\u201d \u2013 \u201cPrepare a Coffin\u201d serves as both prequel and tribute to its predecessor, borrowing its high points \u2013 including the Gatling-gun-in-the-coffin conclusion \u2013 and Barboni, who echoes own his color-steeped compositions, while also providing a thumbnail background for the character\u2019s single-minded trail of vengeance. The end result doesn\u2019t match the intense violence (and political undertones) of the original \u201cDjango,\u201d but certainly delivers its own stylish shoot-out excitement. Arrow\u2019s Blu-ray includes an informative overview of the \u201cDjango\u201d films by author Kevin Grant and a European trailer.<\/p>\n

\u201cAdios, Sabata<\/a>\u201d (1970, Kino Lorber) Lee Van Cleef<\/a> originated the role of Sabata, a sardonic \"\"sharpshooter with a taste for puns and Bondian gadget weapons, in Gianfranco Parolini<\/a>\u2018s Euro Western \u201cSabata\u201d (1969), but Yul Brynner<\/a> stepped into the role for this agreeable sequel. Brynner\u2019s Sabata \u2013 whose outlandish all-black outfit refers to the character\u2019s origin as a different gunfighter, Indio Black, before the international success of \u201cSabata<\/a>\u201d prompted a name change for United Artists\u2019 American release \u2013 has a less bemused air than Van Cleef\u2019s Sabata, but still displays a taste for eccentric sidekicks (Sal Borghese\u2019s Septiembre, who tosses lethal metal balls with his feet) and outlandish weapons (a sawed-off rifle with a side-loading magazine), both of which are put to good use in a scheme to extricate gold stolen from Mexican revolutionaries by sadistic Austrian Colonel Skimmel (Gerhard Herter)<\/a>. Despite Brynner\u2019s imposing turn, Parolini \u2013 billed as Frank Kramer in the UA version \u2013 indulges in moments of the same self-referential humor and playful tone that earmarks the previous and subsequent \u201cSabata\u201d films (1971\u2019s uneven \u201cReturn of Sabata<\/a>,\u201d with Van Cleef again in the title role), which may displease hardcore Italian Western devotees, though casual viewers might appreciate the hints of levity. Also starring Dean Reed<\/a>, an American folk singer who embraced leftist\/Soviet policies in the late \u201960s and lived in East Germany before dying under mysterious circumstances in 1986. Kino\u2019s Blu-ray is the UA English-dubbed print and includes trailers for all three Parolini\/Sabata films.<\/p>\n

The popularity of Italian Westerns like \u201cDjango\u201d and \u201cAdios, Sabata\u201d was briefly echoed in English-language titles, though most of these emphasized the violence and less of the \"\"baroque plotting or stylistic flourishes. Two such titles are available from Kino \u2013 1968\u2019s \u201cShalako,\u201d a British-Spanish-German production, and 1971\u2019s \u201cThe Hunting Party,\u201d from the UK. Both titles are mostly sour affairs that go to great lengths in showing how wealthy, privileged types from both sides of the Atlantic are no better \u2013 or worse \u2013 than the lower-class and non-white populations of the West. Both are also star-studded affairs \u2013 \u201cShalako<\/a>,\u201d directed by Edward Dmytryk<\/a> and based on a novel by Louis L\u2019Amour, features Sean Connery (between Bond titles), Brigitte Bardot and Stephen Boyd, while Don Medford\u2019<\/a>s \u201cHunting Party<\/a>\u201d pits ugly American Gene Hackman against unlikely outlaw Oliver Reed, who has made off with his estranged wife (Candice Bergen). Women are on the receiving end of most of the violence \u2013 in \u201cShalako,\u201d Honor Blackman<\/a> is choked to death with her own diamonds, while Bergen is molested by nearly every character she encounters, including L.Q. Jones<\/a> in yet another variation on his Cowboy Vermin screen persona \u2013 which undercuts whatever vicarious enjoyment can be derived from watching the male characters blast or beat each other. Commentary is available for both discs \u2013 Howard Berger and Nathaniel Thompson on \u201cHunting Party\u201d and \u201cRepo Man\u201d director Alex Cox<\/a> on \u201cShalako \u2013 as well as theatrical trailers.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cDjang0 Prepare a Coffin\u201d (1968, Arrow Video) Though relatively unknown in the United States until its release on DVD, Sergio Corbucci\u2019s doom-laden Euro Western \u201cDjango\u201d (1966) was a global hit during its release, spawning tributes on film (it\u2019s the movie Jimmy Cliff is watching in \u201cThe Harder They Come\u201d) and in music (Lee Perry\u2019s \u201cReturn […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[25],"tags":[38,70,43,40,39,42,37,41],"class_list":["post-102","post","type-post","status-publish","format-standard","category-movies","tag-classic-westerns","tag-euro-western","tag-italiaan-western","tag-lee-van-cleef","tag-paul-gaita","tag-sean-connery","tag-westerns","tag-yul-brynner"],"yoast_head":"\nMovies Till Dawn: Un Uomo, Una Cavallo, Una Pistola \u2013 Italian Westerns and American Contorno - 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He has written for The Los Angeles Times, LA Weekly, Variety and The Fix, among many other publications, and was a home video reviewer for Amazon.com from 1998 to 2014. He has interviewed countless entertainment figures from both the A and Z lists, but his favorites remain Elmore Leonard, Ray Bradbury and George Newall, who created both Schoolhouse Rock and the Hai Karate aftershave commercials. 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