{"id":11973,"date":"2026-04-08T07:00:00","date_gmt":"2026-04-08T13:00:00","guid":{"rendered":"https:\/\/theboisebeat.com\/?p=11973"},"modified":"2026-04-05T23:21:18","modified_gmt":"2026-04-06T05:21:18","slug":"reposado-treefort-2026","status":"publish","type":"post","link":"https:\/\/theboisebeat.com\/index.php\/2026\/04\/08\/reposado-treefort-2026\/","title":{"rendered":"Reposado \u2013 TequilaFunk Ignites the Basque Block"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Seattle collective Reposado brewed a potent mix of Afro\u2011Caribbean rhythms, funk and soul, inviting Treefort revelers to dance with abandon.<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">One of Treefort\u2019s greatest pleasures is stumbling upon a band you\u2019ve never heard and leaving obsessed. Such was the case with <a href=\"https:\/\/treefortmusicfest.com\/performer\/reposado\/\" target=\"_blank\" rel=\"noreferrer noopener\">Reposado<\/a>, a bilingual collective from Seattle led by Jean\u2011Paul\u00a0Builes. Their self\u2011described \u201cTequilaFunk\u201d pulled in curious onlookers at the Basque Center and Tropico\u00a0FM showcase, then kept them there with irresistible grooves.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Builes and his bandmates draw inspiration from the music of Caribbean and West African nations as well as the multicultural neighborhoods of Queens, New&nbsp;York. They channel the fiery protest music of Fela&nbsp;Kuti and the kinetic salsa of the Fania All\u2011Stars while also nodding to soul icons like Curtis&nbsp;Mayfield and James&nbsp;Brown. On their website they describe their mission as using music to connect and transcend cultures, and their sets do just that.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1978\" height=\"2560\" src=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-scaled.jpg\" alt=\"\" class=\"wp-image-11907\" srcset=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-scaled.jpg 1978w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-768x994.jpg 768w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-1187x1536.jpg 1187w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-1583x2048.jpg 1583w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-696x901.jpg 696w\" sizes=\"auto, (max-width: 1978px) 100vw, 1978px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Reposado\u2019s Treefort performance began with a conga line weaving through the crowd. Horns blared over syncopated percussion, and soon Builes was leading call\u2011and\u2011response chants in Spanish and English. During one number, the band broke into a cumbia groove that had the entire Basque Center bouncing. Later, a funky breakdown gave way to a soaring guitar solo reminiscent of Santana. The energy was contagious; by the end of their set, the audience was drenched in sweat and chanting for one more song.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reposado\u2019s ability to seamlessly blend Afrobeat, salsa, funk and soul speaks to Treefort\u2019s dedication to global sounds. In a festival filled with discovery, their TequilaFunk felt like a revelation and a celebration rolled into one. Boise may be far from the tropics, but for an hour, the Basque Center felt like the world\u2019s most joyous dance floor.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1978\" height=\"2560\" data-id=\"11896\" src=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-scaled.jpg\" alt=\"\" class=\"wp-image-11896\" srcset=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-scaled.jpg 1978w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-768x994.jpg 768w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-1187x1536.jpg 1187w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-1583x2048.jpg 1583w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2007-696x901.jpg 696w\" sizes=\"auto, (max-width: 1978px) 100vw, 1978px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1978\" height=\"2560\" data-id=\"11901\" src=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-scaled.jpg\" alt=\"\" class=\"wp-image-11901\" srcset=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-scaled.jpg 1978w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-768x994.jpg 768w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-1187x1536.jpg 1187w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-1583x2048.jpg 1583w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2013-696x901.jpg 696w\" sizes=\"auto, (max-width: 1978px) 100vw, 1978px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1978\" height=\"2560\" data-id=\"11905\" src=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-scaled.jpg\" alt=\"\" class=\"wp-image-11905\" srcset=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-scaled.jpg 1978w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-768x994.jpg 768w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-1187x1536.jpg 1187w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-1583x2048.jpg 1583w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2014-696x901.jpg 696w\" sizes=\"auto, (max-width: 1978px) 100vw, 1978px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1978\" height=\"2560\" data-id=\"11907\" src=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-scaled.jpg\" alt=\"\" class=\"wp-image-11907\" srcset=\"https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-scaled.jpg 1978w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-768x994.jpg 768w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-1187x1536.jpg 1187w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-1583x2048.jpg 1583w, https:\/\/theboisebeat.com\/wp-content\/uploads\/2026\/04\/DSCF2018-696x901.jpg 696w\" sizes=\"auto, (max-width: 1978px) 100vw, 1978px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Photographer &#8211; Kenny Macias | <a href=\"https:\/\/vivevidamedia.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vive Vida Media<\/a><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Seattle collective Reposado brewed a potent mix of Afro\u2011Caribbean rhythms, funk and soul, inviting Treefort revelers to dance with abandon. One of Treefort\u2019s greatest pleasures is stumbling upon a band you\u2019ve never heard and leaving obsessed. Such was the case with Reposado, a bilingual collective from Seattle led by Jean\u2011Paul\u00a0Builes. Their self\u2011described \u201cTequilaFunk\u201d pulled in [&hellip;]<\/p>\n","protected":false},"author":30,"featured_media":11974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[24,48,3],"tags":[52,1069,3147],"class_list":["post-11973","post","type-post","status-publish","format-standard","has-post-thumbnail","category-boise-life","category-live-music","category-music","tag-music","tag-treefort","tag-treefort-2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reposado \u2013 TequilaFunk Ignites the Basque Block - The Boise Beat<\/title>\n<meta name=\"description\" content=\"Gordie Tamayo\u2019s recap of Reposado\u2019s Treefort 2026 sets, spotlighting their TequilaFunk fusion of Afro\u2011Caribbean rhythms, funk and soul at the Basque Center.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theboisebeat.com\/index.php\/2026\/04\/08\/reposado-treefort-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reposado \u2013 TequilaFunk Ignites the Basque Block - 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